Thursday, May 22, 2008

Genre Commentary -Tragedy

Well, like the Comedies, the Tragedies seem to have a couple messages and morals of their own. Of course, these are the more corrupting and terrible faults of mankind rather than simple human screw ups. Macbeth, for example, had a brilliant life ahead of him and likely could have gotten far as thane of Cawdor and Glamis. Of course, he ended up tempted by the prospect of being king and blew it all. Even the greatest of heroes can fall given the right leverage. And of course, he ended up arrogant later after the second volley of prophecies from the witches. Again, a major and classic moral of arrogance being one's downfall. The tragedy genre, being like the comedy genre, in that respect, I think might be used to drive a point home rather than pass it along with a laugh. The comedies give a fun day out and a lesson for the day, but tragedies could be meant to make something absolutely clear. A touching story meant to grab you, stop you, and make you understand something particularly important. (Didn't Joyce ramble something on tragedy to that effect in Portrait?) The tragedy genre is more of a lesson play than an enjoyment play. And, like I said earlier, the story is not static like a history. First Macbeth is the good guy, then he's the nervous bad guy, then he's the complete bad guy. First Lady Macbeth took center stage for evil, then she fell apart by the end of the play quite pathetically, with Macbeth leading the way where she stands unsure of her deeds. It keeps one's interest better than a history, because something's always happening. Thus, unlike Histories that allow you to think, "Well that sounds familiar," Tragedies make a point clear and don't let your thoughts wander. Purposeful and entertaining.

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