Saturday, December 8, 2007

Player Piano- Symbol or Theme

One of the things that I noticed in the novel was the usage of human beings as objects with which to further themselves or others. Yes, it did happen quite a bit. It seems that as humans become less important in running a society, their purpose dwindles from doing things to being things. There were quite a few instances where this happened.

Firstly, I'll discuss Paul and Bud Calhoun. Yes, I will go as far to say that Paul was using Bud Calhoun, and so was the entire system. Paul would simply go past him every now and then, and demand a new machine. He just took for granted Bud's abilities. He seemed more interested in success in business than what exactly Bud was doing. The system merely cranked out whatever he was thinking up. Eventually, Bud thought up something that put himself out of a job. There was nothing left to do after that. Though he likely walked into that one himself, neither Paul nor the system cared much or did anything to help prevent it or then fix it. They simply took his ideas and cranked them out, kicking more people out of jobs than before. Paul went to Bud indifferently, and when he left, there wasn't much of a large disturbance in Ilium at his dismissal. Even when he boarded the train later, Paul was already thinking of what Bud could do to improve the system, even though an old conductor was sitting beside him. Bud was merely a miracle invention machine.

Next, I'll discuss the reverse of that, and also Finnerty, Lasher, and Luke. The Ghost Shirts decided to use Paul as a figurehead for their operations. He really wasn't anything more than that, and they probably wouldn't mind killing him and thinking up something else. They just figured that this was the easy way out. The great Paul Proteus had become a name on a piece of paper. He was just going to be sitting there as the alleged but hardly the leader of the secret society. Of course, once his purpose was finished, who knows what they'd do with him. As the people began to grow less of an attachment to the machines, they sought to break away, but still saw Paul as merely an item, a tool to fix the overall machine. No better than the society that they just fled. Perhaps that's the proof that the rebellion was doomed to fail.

Anita and Kroner also used Paul quite a bit, the former more so than the latter. Anita saw Paul, without a doubt, as a trophy that would get her into the papers. She just wanted him to do every last little thing she desired, to get her everything she sought. (She more or less sought the world, but still she'd likely have asked Paul for that and then shoot for the moon to boot.) She threw a temper tantrum every time she didn't get her way, and sought to make Paul feel miserable afterwards. Her continual reminding of Pittsburgh is the most notable of her little obsession. Kroner also wanted to use Paul to find the Ghost Shirt society. For someone who was supposed to be a fatherly figure, he really appreciates a little go-for rather than a happy young man. If he could catch the Ghost Shirts, then he would be the friend of a national hero, and doubtless that would have at least three or four (hundred) perks when Paul climbed the success ladder. Such a loving family, pushing the one prodigal son through the fray so they could get a little bit of personal satisfaction. As the closest part of industrial America to Paul, these are most definitely the antagonists and symbols of corruption. Fitting that they would seek glory for themselves.

Also, for a change of pace, Halyard simply used the citizen Edgar Hagstrohm as an exhibit to show the Shah of Bratpuhr. Of course, when the exhibit wasn't as wonderful as planned he simply dragged the tour to another house and made himself at home. To Halyard, the people of America were separate shows to be aired whenever it was necessary to impress foreign visitors. He made no effort to express concern over the opinions or conditions of the families, he simply put them all on display. And, naturally, the show went wrong and the Shah was not impressed all too much. In response, the tour moved to another location; if one show doesn't work, go somewhere else, it's just a cheap show. Doctor Dodge entered with no intention of being friendly, and made it very clear to Edgar that he was only here to impress the Shah when Edgar asked for a handshake. The citizen of America is now no more than something to impress the neighbors with, and they'd better do a good job at it too. Edgar, of course, made effort to show that he wasn't there to just be used. This was important in reminding authority that they were dealing with a living human being. Despite being described as average, it was interesting how wrong the computer was at choosing this person as the best place to advertise to the Shah.

There's an awful lot of person-using-person here. It seems that, especially in the last case above, an automated society comes at the cost of individuality but also at the cost of basic human value. People are not just there to serve a purpose like a computer program. They are important in their own way, and need to be treated as more than just another object to be used as seen fit. Of course, a world run by computers and managers rarely concerns themselves with the importance of human value. All that's important is a bigger number and more progression down a path of educated guesses. The human being becomes nothing more than an obstacle to be manipulated at will.

Player Piano- Passage Analysis

I'll go with the play. Just because it's the most ridiculous thing I've ever heard. Just a little peculiar. The whole thing is obvious propaganda, and to me it was so blatantly pointless and false at first I had to read it again before I could even comprehend how the others could accept it and believe that the managers were saviors. Quite frankly, I'm not so sure I'd use it or something like it to a crowd unless it was significantly tweaked.

My complaints have to do with the fact that the focus of the prosecution was less focused on how the civilians felt rather than the physical numbers. Now, if there was no need to really buy anything then a drop in pay would seem a little less outrageous. However, if the prosecution focused more on the fact that there was a large drop in public image, that most of Americans were dissatisfied, that most people were not happy in the least, then it might have been a little more apparent that there was a bit of a problem at hand. There isn't any point in progress if the progress doesn't make the people happy. Unlike computers, humans have feelings. This is probably why the Star Manager forbid any emotional evidence, because everything looked better in numbers. God forbid the managers have to suffer from emotional dissent (or rather, a soul). Of course, the prosecution only whines that managers are paid more than workers. Weak.

On the other hand, the defense states a whole lot of numbers. Numbers, that's all. More fridges, TV's, cars, and automatic toilets, I'm sure, than the rest of the world. The only flaw with referencing Caesar in the defense's speech is that even the poorest feller in today's world is infinitely better than he would be hundreds of years ago. Public advancements are beneficial to everyone, and I sure would hope that we've improved technology since Caesar's time. The only real qualifier with an ancient ruler comparison is luxury, really. The ability to have these extra items, though, is nothing if the people don't really enjoy them. If progression was strictly numerical, in terms of what should make someone happy, then the Benefactor and Beatty ought to be celebrated as wonderful heroes. Moreover, Caesar had plenty of fun bossing his people around, throwing them to the lions and such, being a real leader. Quite frankly, he was probably happier than most of the people in that automated world of technological America. (Of course, the assassins put a minor damper on his leadership, but aside from that, he's probably laughing at Ilium.) This seems to stress that the only factor important in progress is if the numbers are bigger at the end of the process than at the beginning.

I also laugh at the statement that the boss of the managers is really John Averageman. That one was the biggest laugh in the entire comedy routine. I highly doubt that the consumer really concerns himself with dictating to the managers what should be made. The managers call for construction and then it is sold to us by hitting us over the head with a hammer until we buy buy buy buy buy. McDonald's sells us burgers; we did not ask for meat, cheese and veggies between bread to the response of a fast food chain scampering up, begging to grant them the privilege of feeding us. They sell burgers to us. End of fairy tale. When they think of something new, they tell us it's better and just buy the thing. Most of them try to show up other restaurants by adding their own spin on a classic, which sometimes is the spin that makes it trash. Furthermore, if the managers can brag that they're getting a bigger paycheck solely to produce more for the Averageman, I'll assume that these engineers pay for company projects out of pocket. If they are, that's reason #592 to get rid of the system because workers shouldn't be paying to work for someone. If they don't, then I'd love to find out where those rich engineers spend their thousands of dollars. Balls and dances? Country clubs? Grand cuisine and a wonderful cruise or two? Yeah, that really helps out John Averageman, enduring a cruise around the ocean. It would be so terrible if the engineers weren't happy enough to do their job.

Really, the whole play makes a weak argument from the prosecution and a load of rubbish from the defense. Materialistic improvements come at the expense of personal pride and entertainment, and that's really no improvement. Quite frankly, the whole thing is just a single reason for why there was even an automation revolution in the first place, and a poor excuse at that. Plus, the reasoning behind the bigger paycheck for engineers seems to stress the fact that something's not right. The fact that this was cheered so darn much makes you almost want to pity the poor fellas who have no clue how to run a country. Vonnegut really put a lot of emphasis on making this terribly ridiculous and obviously fake.

Player Piano- Reaction to the Novel

Trying to keep this short, I'll say that I preferred this book over a few of the others read in class, primarily because of the wit and humor in the novel. I find the jokes, though dry, dark, and dreary, add a great deal of entertainment to the novel. The ironic twists and turns were well placed, and kept me interested to a greater extent than the other novels. And I will also say that this ending was one of the better ones in the sense that it did not just suddenly drop off with no hint of the future. It would certainly be better if the ending was a tad more hopeful, yet that not only isn't Vonnegut's style and would be terribly out of place, the novel still concludes slowly enough to wrap up all loose ends without simply dropping off as it did in Handmaid' Tale or ending abruptly as in We. It was pretty good, I feel.

It's also frighteningly accurate. There are so many different things that technology is capable of doing today that human effort is becoming unnecessary and the way of the past. Just about everything can be done without human beings, and eventually they won't be needed. ATM's, checkout lines, packaging and shipping, assembly lines...pretty soon the only thing people will be needed for is to fix a small kink in the system. Soon people may only be unnecessary beings wandering the earth with nothing to do. Even if you had all the time in your life to yourself, it'd get pretty darn boring. There'd be nothing to do. The only thing that makes vacations (say, for example, Christmas break in 2 weeks) so fun and wonderful is that you've been toiling away incessantly for an eternity. Now you want to enjoy yourself, and you can. This world would bore you eventually, and most likely sooner than you'd ever dream, and with nothing to do you'll spend most of your life in absolute boredom. It'll be Fahrenheit 451, only with books. Miserable.

However, there is one glimmer of hope: this sure won't happen in our lifetimes. Technology, I've found, is wonderfully unreliable. It'll take at least 20 years, more likely 25, to perfect computers. They always crash or catch cold or do something weird. It'll take longer than that for mankind to perfect systems for everything else. And by that time, there'll be some arrogant punk who's figured out some way to break the new toys with the push of a button, and the whole process of creating a system will begin again. There's a far better chance of us figuring out how to live on Mars rather than to make a completely automatized world. A TV show once detailed how in 50 years they'll have perfected hovercars and will have a networking system built into our body so someone can personally monitor our health every second of the day. Alternative fuel hasn't been completely figured out yet, much less put into action to a large degree, and I doubt the anti-gravity measures will be easily calculated. And considering how bad computers are, I highly doubt that super network in our body will ever run even half the time at 50% efficiency. We all think that such a world is possible, but I know from experience that things take a lot longer to do than originally intended. They're also a tad tougher. If we ever reach that stage where our lives are completely automated, I will be thoroughly shocked and impressed. I really don't think that it's possible to achieve such a level of automation so quickly. We're still only beginning to improve technology, and there's so much that we haven't even dreamed of doing yet. A number of these dreams are right in this book.